江峰 Jiang Feng is a non-gendered and multi-disciplinary artist working across-genres in movement/dance, theatre, performance art, voice, text, modeling, film, photography and theory. He attained her B.A. in English and Chinese literature from National Taiwan University in 2016. In 2019, they graduated with an M.F.A. degree in Performance and Performance Studies from Pratt Institute. They are the receiver of the R.O.C. Government Fellowship to study and research dance abroad and “Grants for 20-40-Year-Old Writers” from Ministry of Culture in Taiwan. In September 2019, her new work "臺彎 Bent-Tai(www)" won the "Genuinely Fringe" award, the third prize, in Taipei Fringe Festival.
His performance works have been presented at various venues, including Itinerant Performance Art Festival, Movement Research at the Judson Church, "Thinking Its Presence" conference hosted by the University of Arizona, Exponential Festival, Dance Research Forum Ireland, HOT! Festival at Dixon Place, New Work Series at Tada! Theater, Gibney Dance, La MaMa Galleria, Waxworks at Triskelion Arts, BAAD!, Hudson Guild Theater, and Odyssey Dance Theater in Singapore. Furthermore, their works have been shown in Germany, Bulgaria, and Hungary in various artistic scenarios. In Taiwan, she has worked with emerging choreographers Shiou Fen Li and KoYang Chang, and has performed at the National Theater and Concert Hall, NTU Center for the Arts, Nadou Theatre, Treasure Hill, Venue, amongst other venues.
In 2018, they were selected to be the performer of the work “Wall-Floor Positions” in the MoMA retrospective "Bruce Nauman: Disappearing Acts."
The fundamental inspiration for my work is love, its beauty and complexity, while thematically, my work revolves around questions of gender, sexuality, sex, and race. Further, as an interdisciplinary artist, I turn to the tools offered by multiple media to enrich and deepen my works. I create artwork as a process for healing and questioning. Setting out to disrupt, I always want to create something different from what people have seen before by challenging social norms and our perceptions of them. I am trying to gather energy to create a healing space for people who endure discrimination.
My process as an artist and creator is that I always wait to be inspired in/by life. I am always looking for new and innovative elements. Moreover, I draw on theory from academic and non-academic works and think hard because I expect myself to be not only an artist but also a thinker.
The ideology of my works is "Family-unfriendly."